Nobody Knows the Trouble I’ve Seen – Louis Armstrong 23. Maiden Voyage (f/Freddie Hubbard) – Herbie Hancock.Grazing in the grass – Hugh Masekela – 1994
It will be interesting to see what may be written next, as players continue to master advanced extended techniques. All of them require artistic musicianship and very serious long-term progressive practice. These pieces are a true measure of a player's technical abilities. All of these pieces are musically rewarding and several have become standard repertoire. If you are looking for a real challenge, or just want to see some of the most demanding clarinet music ever written, have a look and a listen to any of the groundbreaking works on this list. Magnus Lindberg – Clarinet Concerto (2002) John Corigliano - Concerto for Clarinet (1977)įranco Donatoni – Clair (unaccompanied) (1980) Peter Maxwell Davies - The Seven Brightnesses (unaccompanied) (1975) Jean Françaix - Concerto for Clarinet (1967) 57 (1928)īéla Bartók - Contrasts (1938) Although a chamber music trio, this work merits inclusion for its many difficult solo passages.ĭonald Martino - A Set for Clarinet (unaccompanied) (1957) Here are my selections for the ten most difficult solo works for clarinet:Ĭarl Nielsen - Concerto for Clarinet, Op. The list I am presenting here is not intended to be comprehensive, but to represent the mainstream evolution of the most technically challenging solo clarinet repertoire. After the Nielsen Concerto, many other technically demanding works soon followed. 57 by Carl Nielsen, which is pyrotechnical even by 21st century standards. This list begins in 1928 with the Concerto for Clarinet, Op. As advances were made in instrument design and key work, and the level of performance proficiency continued to rise, composers continued to push the technical limits for clarinetists.įast forward to the present, and there are milestone compositions for the clarinet written in the last 90 years that rank as the most difficult works ever written for the instrument. At the time of their composition, these works presented immense technical challenges to performers, and still do today.
Today, when one studies the concertos of Mozart, Weber, and Spohr, it is easy to forget that the instruments of the time were much less developed compared to the instruments of today.
Since the earliest days of the clarinet's history, composers have continually challenged players with very technically demanding music. The clinics they conduct cover a broad spectrum of topics and, based on your input, can be customized to fit the needs of your students.
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These highly trained professional educators and performers will engage your students through educational and fun sessions. The goal for the Vandoren Artist-Clinicians program is to enhance the quality of the music experience through education and the assistance of Vandoren. It is the philosophy of Vandoren to stay close the musicians for new product design, repertoire development, and other contributions to their art. Vandoren Artists can be heard with world-class orchestras and chamber groups, in jazz clubs and theaters, on award winning recordings, or found at universities educating the next wave of promising musicians. The Vandoren Artist family is comprised of some of the finest woodwind performers and educators from around the world.
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